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Sunday, April 2, 2023

AI and Copyright: Critical Evolving Issues for Photographers

An AI generated, futuristic image of a copyright logo
Abstract: In this post, lawyer and award-winning landscape photographer Jason Marino discusses critical copyright and related issues every photographer using AI needs to know right now. With reference to popular AI image generation platforms such as Midjourney, Stable Diffusion, and Dall-E, Jason breaks down the need-to-know issues into bite-sized chunks easily digestible by photographers of every genre and level. He examines the latest, headline-grabbing cases working their way through the courts as well as the March 2023 guidance issued by the U.S.Copyright Office, and, drawing lessons from those cases and guidance, he suggests several practical points that photographers should keep in mind when using AI in order to maximize their potential for copyright protection and minimize the potential for other intellectual property problems.

Monday, February 27, 2023

Featured Member: Trevor Pottleberg CPA

A pair of sandhill cranes in flight against a white background
Trevor Pottelberg is a professional photographer and photo educator based out of Southwestern, Ontario, Canada. Specializing in ethical wildlife, landscape, astro & wave photography, his photographic portfolio is packed full of beautiful Canadian scenes. His love for nature conservation and the great outdoors is apparent in each of his photographs.

Thursday, February 2, 2023

Using Mirrorless Camera Exposure Settings on a Century-old Large Format Camera

a large format camera sits in front of a foggy train bridge across a coulee.
Using Mirrorless Camera Exposure Settings on a Century-old Large Format Camera By Graham Ruttan

Sunday, July 18, 2021

PPOC PHOTOGRAPHERS - CALL TO ACTION

Submitted by Mona D’Amours I am writing to all PPOC photographers with the intent to encourage each of you to share your stories on our News feed. I look forward to meeting each of you face to face one day, and when I do, I will most likely approach you with three questions. What is your name? What do you do? Where do you live? It is strange that most of us can answer these questions easily under normal circumstances. However, we have been living in abnormal times, but I would still like to know the answers to these questions. Therefore, I am presenting a challenge for each of you. I would like to know more about YOU. First, introduce yourself. Then . . .

Friday, June 18, 2021

ORNITHOLOGY / BIRD PHOTOGRAPHY AND THE VALUE OF CITIZEN SCIENCE

night heron
Submitted by Violet Aubertin.  As a recent recruit to PPOC I am very pleased to announce my first successful accreditation in Ornithology / Bird Photography. After retiring from a career in health care in 2018 I made the decision to pursue my long time passion for photography by letting it guide me to my destination. My photographic interests are many allowing me to explore several techniques and genres, but one that has kept me active through all seasons has always been Ornithology / Bird Photography making it the best choice for my first accreditation.

Sunday, May 16, 2021

ACCREDITATION: MY PERSONAL JOURNEY THROUGH THE HIGHS AND LOWS

Story by Terry Tinkess. I guess I would have to lay blame at the feet of photographer Joe McNally for being the reason photography became more of a pursuit than an interest for me. It’s not like he came to me and said, “You’re good kid,” although he did say something similar, years later after I had stopped being a kid, and as part of a paid workshop/critique session.

Saturday, February 13, 2021

SHAPING OUR PERSPECTIVE OF COLOUR

(Article submitted by Chelsea Jones).

Monday, February 1, 2021

Photography: The Art And Science Of Racial Oppression

(Submitted by Chelsea Jones). Since the invention of the camera, the images we created and the photographic industry has been fraught with issues of inequality, inequity, and oppression that continue to this day. As with the industrial revolution and the current age of technology, with innovations come distinct benefits as well as consequences. Created and developed in the Victorian era by French and English inventors, the camera and the images it produced was as the intersection of art and science. 1 This development of photography took place when positivism was the dominant scientific ontology. 2 This led to a strong faith in machines, known as ‘machine objectivity’, since they were regarded as more objective than individual human perception. 2At that time there was little question that a photograph was an accurate and truthful representation of the subject.1 Photography, like any form of representation, was and is a social practice whose connotations were organized through cultural ideas and contracts, and is inherently problematic with roots in colonialism, government oppression, and racism especially towards the black community. 1